Monday, October 31, 2011

HELLOWEEN LYRICS

single: "I Want Out" (1988)

I Want Out
Save Us
Don't Run For Cover

single: "Power" (1996)

Power
We Burn
Rain
Walk Your Way

Firefox learns to share, again

Firefox learns to share, again Seth Rosenblatt by Seth Rosenblatt October 28, 2011 12:38 PM PDT * comments 4 * * * * inShare0 * More o Email o Facebook o Twitter o LinkedIn o Digg o Print o Delicious o Reddit o Stumbleupon o Google Bookmarks Firefox Share brings a new take on sharing to the browser. (Credit: Mozilla) If at first you can't learn your social skills, try, try again. At least, that's what the Mozilla Foundation is doing. Following the demise of the first Firefox initiative to bring a more modern range of social sharing to the browser, Mozilla has released today its second attempt in early alpha called Firefox Share (download). Mozilla has lofty plans for Firefox Share. Along the same lines as the Firefox Weave add-on that later became the default-shipping feature known as Sync, Jay Sullivan, Mozilla's vice president of products, told CNET during a meeting at the company's new San Francisco offices on Wednesday that Mozilla wants to bake Firefox Share directly into the browser. "It's a new sharing option based off of F1, with the same team, but learning from the F1 experience," he said. F1 was the add-on first released about a year ago through the Mozilla Labs sub-group within the Mozilla organization. Even though Mozilla prefers to rely on add-ons to expand the browser's feature set, sharing was a no-brainer, said Johnathan Nightingale, Mozilla's Director of Firefox Engineering. "We're doing it because we feel it's such a common thing to do today." Like F1, Firefox Share is a restartless add-on, which means that installing it won't require a Firefox reboot. It appears on the right edge of your location bar as a paper airplane. Click the icon and you get a drop-down that asks you to log into one of three accounts: Twitter, Facebook, or Gmail. So right there, there's been a drop in share options as the add-on has been re-architected. LinkedIn, Google Apps, Yahoo, and multiple accounts per service have been abandoned for now, although Mozilla said in its blog post announcing the new add-on that it plans on bringing them back. The company also noted that Firefox Share will take on the default style of the operating system that the browser is running on, which means that if you're on Windows, it will look native to Windows, and so on with Mac and Linux. The way that the add-on works under the hood has changed, too. F1 was powered by a stateless server as a proxy to communicate between service providers and the browser, "because it was faster," said the Mozilla blog post. Firefox Share, on the other hand, is built on a client-side-only solution where the browser talks directly to the service provider. This was done to avoid having to use Mozilla servers while eliminating some potential security issues. In some brief hands-on testing, the add-on worked about as well as you'd expect an alpha add-on to work. The core functionality was there. Authentication was simple, and it was easy to jump from sharing in Twitter to sharing in Facebook. Direct message contact selection on the Twitter side appeared to be broken for me, although that's not surprising for an alpha. Firefox has faced a number of growing challenges in the past few years, such as exploding interest in competing browsers like Chrome and on mobile devices, convincing its die-hard fans and businesses that a rapid-release cycle would benefit all, and maintaining a renewed emphasis on performance and stability. Dedicated, integrated social sharing would certainly be one thing that could help set it apart on a feature level, although, as with all things browser, it's rarely about who's first, but who does it best. Seth Rosenblatt Seth peers into the deep, dark corners of software so that you don't have to, including browsers and security on Windows, Mac, and Android. He has yet to suffer a single nightmare about OS/2, although let's face it: there are far scarier things out there besides long-dead operating systems. For instance, take the rumored Angry Birds/FarmVille crossover app... Topics: Browsers and extensions, Mac Software, Windows Software Tags: Mozilla, Share, Firefox, add-on Popular headlines The zombie apocalypse is here Do not track, online ads, and the end of anonymity Cat out of the bag? Apple testing Mac OS X 10.8 Adding image effects on iOS Add Halloween fun to your Android for free Kids won't do chores? There's an app for that Latest Tech News CTO for HP's PC unit announces retirement China launches unmanned capsule for key docking test South Korea fines six LCD makers for price fixing Copyright bill controversy grows as rhetoric sharpens Urban Airship to acquire SimpleGeo P2P marketplaces: Reach out and hire someone Space beer a step closer to coming right up Some app makers hope to scare the hell out of you 4 comments Join the conversation!Add your comment (Log in or register) Comments 1-4 of 4 Fine, as long as they keep it in their add-on pants. Posted by GlennAllen (418 comments ) October 28, 2011 1:23 PM (PDT) Like Reply Link Flag E-mail it's an add-on for now, and later it will be built-in, as was the case for "weave", which beecame "SYNC", and the idea for "F1" too (F1 was to be baken in once successful). having it as an add-on is simply their way of testing it before baking it straight in. Posted by p3ngwin (8 comments ) October 28, 2011 2:16 PM (PDT) Like Link Flag E-mail There had better be a way to shut the hell off entirely if it's baked-in. Posted by QMT (444 comments ) October 28, 2011 3:50 PM (PDT) Like Link Flag E-mail I agree completely with the thoughts of GlennAllen and QMT. Posted by BurnInMyLight (16 comments ) October 30, 2011 11:40 AM (PDT) Like (1) Link Flag E-mail I 'like' it. Ba dom tish. Thanks for the tip cnet! Posted by shinyflu (73 comments ) October 29, 2011 3:37 AM (PDT) Like (2) Reply Link Flag E-mail firefox has always been and will always be a 3rd rate IE they will never be able to surpass IE total waste of time Posted by izzy2112 (4 comments ) October 30, 2011 1:22 AM (PDT) Like (1) Reply Link Flag E-mail Please Izzy keep your IE fanboy gushing out of here. This is a great little addition to a great browser. Comments like this one are pure spam. Posted by Lance B (4 comments ) October 30, 2011 6:56 PM (PDT) Like Link Flag E-mail thank's Posted by mailituismail (2 comments ) October 30, 2011 10:14 AM (PDT) Like (1) Reply Link Flag E-mail Comments 1-4 of 4 Join the conversation Log in or create an account to post a comment, or quickly sign in with: Comment Add your comment The posting of advertisements, profanity, or personal attacks is prohibited. Click here to review our Terms of Use. Comment reply Submit Cancel The posting of advertisements, profanity, or personal attacks is prohibited. Click here to review our Terms of Use. Report offensive content: If you believe this comment is offensive or violates the CNET's Site Terms of Use, you can report it below (this will not automatically remove the comment). Once reported, our staff will be notified and the comment will be reviewed. 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Adding image effects on iOS

* CNET * Download * The Download Blog Adding image effects on iOS Jason Parker by Jason Parker October 28, 2011 5:43 PM PDT * comments 0 * * * * inShare5 * More o Email o Facebook o Twitter o LinkedIn o Digg o Print o Delicious o Reddit o Stumbleupon o Google Bookmarks iPhone (Credit: CNET) Now that people have had some time with their iPhone 4S, I'm sure many have had plenty of time to take pictures using the upgraded 8-megapixel camera. On it's own, the iPhone 4S takes great shots, but what if you want something more? This week's iOS app collection is all about adding effects to your images. The first lets you flip through numerous effects and stack them for amazing results. The second offers tons of premade effects, but also gives you the option to adjust everything to your liking. The third app lets you play with the focused area of your image to produce visually unique images. Picfx Check out the various textures to add a unique effect to your images. (Credit: Screenshot by Jason Parker/CNET) Picfx ($1.99) lets you play around with 47 different effects and 13 different styles to tweak your images and adds some extras not found in other apps of this type. Like most image manipulation apps, you can snap a fresh photo with your iPhone camera or import a picture from your photo library. Across the bottom of the screen are icons of leather-bound books, each of which has a bunch of effects. The categories are broken up into Grunge, Classics, Textures, Light, Space, and Frames. Once you've selected or taken a photo, the interface layout makes it easy to pick an effect from each category. To add more options to the mix, you can also add a style at any time in the process. To add a premade style, touch the Stylize button to bring up a dial that lets you choose options like Black & White, Sepia, or Warm styles. Stacking both effects and styles gives you virtually unlimited combinations to experiment with. What sets Picfx apart from the other apps in this collection are the ultrarealistic textures you can apply to your photos. One called peeled paint looks very realistic. In the Space category, there are interesting effects like Nebula that add a ghostly space scene. Though they may sound kind of superficial, when I started combining them with other effects, Picfx produced great results. Overall, Picfx is a great app for adding effects to your images that you can share on Twitter, Facebook, Flickr, Tumblr. or through e-mail. Though you don't have precise controls to adjust the amount of each effect, the ability to stack effects and styles gives you a large number of possibilities. PhotoToaster With this app you can choose premade effects or use sliders to adjust each element. (Credit: Screenshot by Jason Parker/CNET) PhotoToaster ($1.99) is an image editor with tons of preset effects and custom options to give your photos a stylized look. To "toast" a photo you can either take a new picture with your iPhone camera or choose an image from your photo library. Buttons across the bottom of the interface let you experiment with each of the different effects. With PhotoToaster, you can use one of several global effects for a photo or use them as a starting point--this app lets you customize each effect to your liking using onscreen sliders. Global effects include retro looks, black and white effects, and several others. Once you've found your starting point, you can go to each button across the bottom to tweak lighting, common effects, the texture of the image, and borders. Each of the sections lets you switch to sliders if you want to precisely tune your image in real time, but you also have presets if you don't want to get too involved in the process. Also, any changes you make are non-destructable so you can always go back to the original picture. Once you're finished, you can share your creations with Facebook, Flickr, Tumblr, Instagram, Twitter, or via SMS. You also have the ability to send a toasted image to another app for more tweaks (only apps on your iPhone that are set up to receive images will be listed). Overall, PhotoToaster offers a nice set of tools for adding some pizazz to your photos and lets you fiddle with controls to make your images just the way you like them. Anyone who likes to add effects to their images and post them to social sites should check out this app. Big Lens Once you've drawn the area you want focused, you can add effects. (Credit: Screenshot by Jason Parker/CNET) Big Lens (99 cents) is a new app at the iTunes App Store that offers a unique interface for adding effects and manipulating focus in your images. You start by snapping a picture or importing one from your photo library, then use touch-screen controls to set the aperture, change periphery blur levels, and adjust background light to create a Bokeh effect. What's interesting about the app is that you have the ability to draw where you want focus or blur effects. While testing the app, I got our very own Sharon Vaknin to pose for a shot, then we went to work experimenting with the apps controls. You start by drawing over the part of the image you want in focus, then hitting the arrow in the upper right to apply the effect. If your focused area is too large, you also can draw with the blur tool to fine tune your image so only the subject is in focus. From there you can choose from several different filters like Red Sepia, Black & White, Flare effects to give the overall image a different feel. As you add changes, you can always hit the Compare button in the lower right to instantly show the original image. Another neat feature is the capability to change lens types that effect points of light in the image. You can choose a snowflake like lens to show background light as snowflakes, or the heart lens to replace flare points with hearts. These extras can add to the overall theme of your image and produce a nice effect not found in other apps in this category. When you're finished, the app offers options to save the image to your camera roll, send it via e-mail, or share it via Facebook, Picasa, or DropBox. Big Lens doesn't have the number of effects found in the other apps of this collection, but it's unique set of touch-screen tools and interesting aperture and lens effects make it a great choice for those that like to play with their pictures. Jason Parker Jason Parker writes software reviews and features for Windows, Mac, and iPhone and has been with CNET for more than a decade. His primary focus is staying on top of iOS and Mac software releases while at work as a senior associate editor, but in his downtime enjoys seeking out the best breakfast spots in the Bay Area. Topics: Digital photography, Mac Software, Mobile Software, Windows Software Tags: photos, iOS, images, Big, iphoneappsweek, filters, Touch, iPod, Apple, iPhone, camera, Lens, PhotoToaster, effects, picfx Popular headlines The zombie apocalypse is here Do not track, online ads, and the end of anonymity Cat out of the bag? Apple testing Mac OS X 10.8 Add Halloween fun to your Android for free Kids won't do chores? There's an app for that Latest Tech News CTO for HP's PC unit announces retirement China launches unmanned capsule for key docking test South Korea fines six LCD makers for price fixing Copyright bill controversy grows as rhetoric sharpens Urban Airship to acquire SimpleGeo P2P marketplaces: Reach out and hire someone Space beer a step closer to coming right up Some app makers hope to scare the hell out of you

Google Chrome

Google Chrome Download Now External Download Site Installed Smart Install * CNET Editors' Rating: 5.0 stars Spectacular * Average User Rating: 3.5 stars out of 2,331 votes See all user reviews Quick Specs * Version: 15.0.784.102 * File size: 592.35K * Date added: October 25, 2011 * Price: Free * Operating system: Windows XP/Vista/7 * Total downloads: 8,012,483 * Downloads last week: 110,572 * Product ranking: #1 in Web Browsers * See full specifications * Add to my list * Report a problem * Want it20 * Got it36 * Had it9 CNET Editors' review by: Seth Rosenblatt on October 26, 2011 The bottom line: Competitiveness, thy name is Chrome. Google's browser is one of the fastest and most standards-compliant browsers available. It lacks some of the fine-tuning you'll find in Firefox, but from the minimalist interface to support for future-Web tech like Native Client and HTML5, the browser is a must. Review: Google Chrome continues to mature from a lightweight and fast browsing alternative into an innovative browser on the precipice of a potential browsing revolution with the just-released Chrome OS. The browser that people can use today, Chrome 14, offers highly competitive features, including synchronization, autofill, and standards compliance, and maintains Google's reputation for building one of the fastest browsers available. Chrome 15 represents a major milestone for the browser, but those expecting to see dramatic changes in major-point updates will be disappointed. For a while now, Google has been pushing features over what it calls milestone numbers, which means that as soon as new features are usable in the beta version of Chrome, Google will likely push them to all users in the stable edition. First Look: Chrome still shines, 10 versions later Chrome 14 was the first version of the browser to support Native Client (NaCl), an open-source technology that allows C and C++ code to be securely run in the browser. It basically lets software run within two protected sandboxes, which will theoretically cut down on browser-based threats dramatically. When completed, NaCl will enable Web apps to run as smoothly as programs that are hosted on your hard drive. As implemented in Chrome 14, NaCl works only for Chrome Web Store apps, though Google plans to expand NaCl so that eventually it powers the entire browser. Chrome 15 features the debut of a redesigned New Tab page and a redone Chrome Web Store that it links to. The intuitive New Tab page allows you to create custom categories by dragging and dropping apps and bookmarks, and includes navigation arrows on the left and right edges of the page that become more visible on mouse-over. For more, check out CNET's story on how to use Chrome's new New Tab page. Please note that there are at least four versions of Chrome available at the moment, and this review only addresses the "stable" branch, intended for general use. Chrome beta (Windows (download) | Mac (download)), Chrome dev (Windows (download) | Mac (download)), and Chrome Canary (Windows (download) | Mac (download)) are progressively less stable versions of the browser, and aimed at developers. Installation Chrome's installation process is simple and straightforward. If you download the browser from Google's Web site, it will ask you if you'd like to anonymously submit usage statistics to the company. This can be toggled even after the browser is installed by going to the wrench-icon Preferences menu and choosing Options, then Under the Hood, and checking or unchecking Help Make Chrome Better. Depending on your processor, the installation process should take less than 2 minutes. Interface Google's Chrome interface has changed remarkably little since its surprise debut in September 2008. Tabs are still on top, the location bar (aka Omnibox) dominates the minimalist design, and the browser has few visible control buttons besides Back, Forward, and a combined Stop/Reload button. Although some users may not like having the tabs on top, we find it to be aesthetically preferable because it leaves more room below for the Web site we're looking at. One change has been to remove the secondary Page Options button and combine it with the Preferences wrench icon to create space for extension icons to the right of the location bar. As it currently stands, it could be better organized. Some controls, such as page zoom, are readily available. Others, such as the extension manager, are hidden away under a Tools submenu. Chrome's extensions are fairly limited in how they can alter the browser's interface. Unlike Firefox, which gives add-on makers a lot of leeway in changing the browser's look, Chrome mandates that extensions appear only as icons to the right of the location bar. The benefit is that this maintains a uniform look to the browser, but it definitely limits how much the browser can be customized. Chrome doesn't support sidebars, either, although other Chromium-based browsers (such as Comodo Dragon) do offer the feature. There is an option in Chrome's about:flags, a series of experimental features, that lets you move the tabs to a sidebar. A minor change in Chrome 11 moved settings pages to their own tab, rather than a dialog box. Chrome 12 extended that configuration to Chrome's synchronization feature. Even with its limitations, the interface design has remained a contemporary exemplar of how to minimize the browser's screen footprint while keeping the browser easy to use and versatile. Features and support Chrome 15's features are accessible from the Preferences menu via the wrench icon on the right side of the navigation bar. Version 15 offers a complete range of modern browsing conveniences. The basics are well-represented, including tabbed browsing, new window creation, and a private browsing mode that Google calls Incognito, which disables cookie tracking, history recording, extension support, and other browsing breadcrumbs. Chrome is based on WebKit, the same open-source engine that powers Apple Safari, Google's Android mobile platform, and several other desktop and mobile Web-browsing tools. However, Chrome runs on a different JavaScript engine than its WebKit cousins, and there are other changes as well. Along with hardware-accelerated 3D CSS in Chrome 12, we got some interesting security improvements. You can now delete Flash cookies from inside Chrome, which makes sense given that Chrome comes with Flash built in, and there's a new Safe Browsing protection against downloading malicious files. Chrome's Web app support, which debuted in December 2010, now includes the ability to launch Web apps from the location bar. This gives keyboard jockeys a bit more power to avoid mousing around, more readily apparent in Chrome OS but nevertheless good to have in the regular old Chrome browser. Mac users now get a warning window when using Command-Q to close the browser. Print preview, formerly a small but glaring hole in Chrome's feature list, is now present in the Windows and Linux versions. Chrome stable for Mac still doesn't have the feature, which is powered by the PDF reader that comes built into Chrome. Chrome's tabs remain one of the best things about the browser. The tabs are detachable: "tabs" and "windows" become interchangeable here. Detached tabs can be dragged and dropped into the browser, and tabs can be rearranged at any time by clicking, holding, dragging, and releasing. Not only can tabs be isolated, but each tab exists in its own task process. This means that when one tab crashes, the other tabs do not. Though memory leaks are a major concern in Chrome when you have dozens of tabs open, we found sluggish behavior and other impediments weren't noticeable until after there were more than 30 tabs open. That's not an immutable number, though, and different computers' hardware will alter browser performance. Some of the basics in Chrome are handled extremely intuitively. In-page searching works smoothly. Using the Ctrl-F hot key or the menu option, searching for a word or phrase will open a text entry box on the top right of the browser. Chrome searches as you type, indicating the number of positive results and highlighting them on the page. Account syncing is another area where Chrome excels. Using your Gmail account, Chrome will sync your themes, preferences, autofill entries, extensions, and bookmarks. You can toggle each of those categories, too. It does not yet offer password syncing, although the password manager has a smart show-password option that keeps it visually separate from the site it's associated with. Chrome also offers a lot of privacy-tweaking settings. In the Options menu, go to the Under the Hood tab. From here, you can toggle and customize most of the browser's privacy and security settings. Cookies, image management, JavaScript, plug-ins, pop-ups, location information, and notifications can be adjusted from the Content Settings button. This includes toggling specific plug-ins, such as the built-in Adobe Flash plug-in or the Chrome PDF reader (which is deactivated by default). Like Firefox, Chrome gives broad control over search engines and search customizations. Though this doesn't sound like much, not all browsers allow you to set keyword shortcuts for searching, and some even restrict which search engine you can set as your default. Chrome comes with three defaults to choose from: Google, Bing, and Yahoo. The Chrome extension manager, bookmark manager, and download manager all open in new tabs. They allow you to search their contents and throw in some basic management options like deletion, but in general they don't feel as robust as their counterparts in competing browsers. For example, URLs in the bookmark manager are only revealed when you mouse over a bookmark, and you must click on one to get the URL to permanently appear. That's an extra click that other browsers don't require. Two other low-profile but well-executed features in Chrome are autoupdating and translation. Chrome automatically updates when a new version comes out. This makes it harder to revert back to an older version, but it's highly unlikely that you'll want to downgrade this build of Chrome since this is the stable build and not the beta or developer's version. The second feature, automatic translation of Web pages, is available to other browsers as a Google add-on, but because it comes from Google, it's baked directly into Chrome. Chrome is also a leader in HTML5 implementation, which is uneven because of the continuing development of HTML5 standards. This will become more important in the coming months and years, but right now it doesn't greatly affect interactions with Web sites. In the realm of security, besides allowing you to disable JavaScript, Chrome will automatically block Web sites that are known to promulgate phishing attacks and malware threats or be otherwise unsafe. The usefulness of this depends on Google's ability to flag Web sites as risky, though, and so it's recommended to use an add-on like the Web of Trust extension or a separate security program to block threats. Performance Based on the open-source WebKit engine and Google's V8 JavaScript engine, Google Chrome debuted to much fanfare because of its rocketing rendering speeds. Three years down the line, that hasn't changed, and the stable version of Chrome remains one of the fastest stable browsers available. The less stable versions, with their more recent improvements and bug fixes, are often faster. You can see CNET's most recent benchmark tests that included Google Chrome; while that particular version of Chrome didn't do too well, the browser has seen a lot of changes since that test and you definitely should not discount it. Note that to effectively use hardware acceleration you must make sure that your graphics card drivers are up-to-date. Nevertheless, Chrome remains one of the fastest browsers available, and its rapid version update rate ensures that it is consistently competitive. Conclusion It's hard to tell which is faster, user adoption of Chrome or its development. Certainly the two are linked, and due in no small part to Google's ability to lay claim to the "fastest browser" title, even when it may not be strictly justified. The rest of Chrome's appeal lies in its clean, minimalist look, and competitive features that justify its still-increasing market share. Chrome is a serious option for anybody who wants a browser that gets out of the way of browsing the Web. Real Player SP Watch your favorite videos on your favorite devices. Download Now Publisher's Description From Google: Google Chrome is a browser that combines a minimal design with sophisticated technology to make the Web faster, safer, and easier. Use one box for everything--type in the address bar and get suggestions for both search and Web pages. Thumbnails of your top sites let you access your favorite pages instantly with lightning speed from any new tab. Desktop shortcuts allow you to launch your favorite Web apps straight from your desktop. What's new in this version: Version 15.0.784.102 contains various stability and security fixes. Click to see larger images View larger image More Popular Web Browsers downloads 1. Google Chrome 110,572 downloads 2. Mozilla Firefox 84,189 downloads 3. Internet Explorer 29,447 downloads 4. Java Runtime Environment (JRE) 17,556 downloads 5. Opera 15,442 downloads See all Web Browsers downloads Harmony for Google Docs Locate, share, and work on Google docs directly from Outlook Download Now All User Reviews * Sort by: * See reviews for: * All versions: 3.8 stars out of 2,331 votes o 5 star: 941 o 4 star: 658 o 3 star: 329 o 2 star: 182 o 1 star: 221 * Current version: 4.6 stars out of 18 votes o 5 star: 15 o 4 star: 1 o 3 star: 1 o 2 star: 0 o 1 star: 1 * My rating: 0 stars Write review Results 1-10 of 18 * 1 * 2 * next * 4.0 stars "Good and not the best" October 31, 2011 | By almoria Version: Google Chrome 15.0.784.102 Pros Has multiple windows and great features Cons Has horrible security with phishing websites Reply to this review Was this review helpful? (0) (0) Report this post Email this post Permalink to this post * 5.0 stars "The best browser yet" October 30, 2011 | By mazidan Version: Google Chrome 15.0.784.102 Pros The best browser yet Cons Nothing ... Reply to this review Was this review helpful? (0) (2) Report this post Email this post Permalink to this post * 5.0 stars "Fast, stable, reliable... unmatched!" October 29, 2011 | By Shomz Version: Google Chrome 15.0.784.102 Pros Everything! Cons Still not enough extensions available. Summary Everything Firefox would like to be. Reply to this review Was this review helpful? (0) (2) Report this post Email this post Permalink to this post * 5.0 stars "the greatest......" October 29, 2011 | By mkkamal001 Version: Google Chrome 15.0.784.102 Pros This the lightest browser I think. Cons Do not have direct download method. Reply to this review Was this review helpful? (0) (3) Report this post Email this post Permalink to this post * 5.0 stars "Best Browser" October 29, 2011 | By Bnadem- Version: Google Chrome 15.0.784.102 Pros Faster Than Any Other Fast Browser Cons Nothing , Evereything Is Ok ! Reply to this review Was this review helpful? (0) (3) Report this post Email this post Permalink to this post * 1.0 stars "THIS UPDATE APPEARS TO BE MALWARE AND STOPS IT RUNNING!" October 28, 2011 | By AdrianPaulMiles Version: Google Chrome 15.0.784.102 Pros this update doesn't work! Cons THIS UPDATE APPEARS TO BE MALWARE AND STOPS IT RUNNING AGAIN! Summary THIS UPDATE APPEARS TO BE MALWARE AND STOPS IT RUNNING AGAIN! Reply to this review Was this review helpful? (1) (2) Report this post Email this post Permalink to this post * 5.0 stars "Shockwave fixed?" October 28, 2011 | By Deadmort Version: Google Chrome 15.0.784.102 Pros fast loading Cons see below: Summary I'd like to know whether the fact that Shockwave has been constantly crashing in previous versions has been fixed Reply to this review Was this review helpful? (0) (3) Report this post Email this post Permalink to this post * 5.0 stars "Amazingly Simple and Smooth." October 27, 2011 | By umairmah Version: Google Chrome 15.0.784.102 Pros Must say "Beauty lies in Simplicity". Fast and extremely responsive Browser ever. Cons Nothing...... Reply to this review Was this review helpful? (0) (3) Report this post Email this post Permalink to this post * 5.0 stars "exallent for any user just browser, gamer, or developer" October 27, 2011 | By mexicano36 Version: Google Chrome 15.0.784.102 Pros very fast, stable, reliable, ease to use Cons none to be found when there is a con google quickly fixes it and super secure :D Summary must have its one the many great products google has to offer Reply to this review Was this review helpful? (1) (2) Report this post Email this post Permalink to this post * 5.0 stars "BEST BROWSER EVER!" October 27, 2011 | By Akhil27 Version: Google Chrome 15.0.784.102 Pros FAST CAN TRANSLATE SUPER SEXY HAS APPS Cons none till date...been using it for 2 years now....it just keeps getting better... Summary three words are enough, BEST BROWSER EVER!! Reply to this review Read reply (1) Read more: Google Chrome - Free software downloads and software reviews - CNET Download.com http://download.cnet.com/Google-Chrome/3000-2356_4-10881381.html?tag=rb_content;main#ixzz1cTQ8ccKT

Computer software

Computer software From Wikipedia, the free encyclopedia Jump to: navigation, search "Software" redirects here. For other uses, see Software (disambiguation). Computer software, or just software, is a collection of computer programs and related data that provide the instructions for telling a computer what to do and how to do it. In other words, software is a conceptual entity which is a set of computer programs, procedures, and associated documentation concerned with the operation of a data processing system. We can also say software refers to one or more computer programs and data held in the storage of the computer for some purposes. In other words software is a set of programs, procedures, algorithms and its documentation. Program software performs the function of the program it implements, either by directly providing instructions to the computer hardware or by serving as input to another piece of software. The term was coined to contrast to the old term hardware (meaning physical devices). In contrast to hardware, software is intangible, meaning it "cannot be touched".[1] Software is also sometimes used in a more narrow sense, meaning application software only. Sometimes the term includes data that has not traditionally been associated with computers, such as film, tapes, and records.[2] Contents [hide] * 1 History * 2 Overview * 3 Types of software o 3.1 System software o 3.2 Programming software o 3.3 Application software * 4 Software topics o 4.1 Architecture o 4.2 Documentation o 4.3 Library o 4.4 Standard o 4.5 Execution o 4.6 Quality and reliability o 4.7 License o 4.8 Patents * 5 Design and implementation * 6 Software types * 7 Industry and organizations * 8 See also * 9 References * 10 External links [edit] History For the history prior to 1946, see History of computing hardware. The first theory about software was proposed by Alan Turing in his 1935 essay Computable numbers with an application to the Entscheidungsproblem (Decision problem).[3] The term "software" was first used in print by John W. Tukey in 1958.[4] Colloquially, the term is often used to mean application software. In computer science and software engineering, software is all information processed by computer system, programs and data.[4] The academic fields studying software are computer science and software engineering. The history of computer software is most often traced back to the first software bug in 1946[citation needed]. As more and more programs enter the realm of firmware, and the hardware itself becomes smaller, cheaper and faster as predicted by Moore's law, elements of computing first considered to be software, join the ranks of hardware. Most hardware companies today have more software programmers on the payroll than hardware designers[citation needed], since software tools have automated many tasks of Printed circuit board engineers. Just like the Auto industry, the Software industry has grown from a few visionaries operating out of their garage with prototypes. Steve Jobs and Bill Gates were the Henry Ford and Louis Chevrolet of their times[citation needed], who capitalized on ideas already commonly known before they started in the business. In the case of Software development, this moment is generally agreed to be the publication in the 1980s of the specifications for the IBM Personal Computer published by IBM employee Philip Don Estridge. Today his move would be seen as a type of crowd-sourcing. Until that time, software was bundled with the hardware by Original equipment manufacturers (OEMs) such as Data General, Digital Equipment and IBM[citation needed]. When a customer bought a minicomputer, at that time the smallest computer on the market, the computer did not come with Pre-installed software, but needed to be installed by engineers employed by the OEM. Computer hardware companies not only bundled their software, they also placed demands on the location of the hardware in a refrigerated space called a computer room. Most companies had their software on the books for 0 dollars, unable to claim it as an asset (this is similar to financing of popular music in those days). When Data General introduced the Data General Nova, a company called Digidyne wanted to use its RDOS operating system on its own hardware clone. Data General refused to license their software (which was hard to do, since it was on the books as a free asset), and claimed their "bundling rights". The Supreme Court set a precedent called Digidyne v. Data General in 1985. The Supreme Court let a 9th circuit decision stand, and Data General was eventually forced into licensing the Operating System software because it was ruled that restricting the license to only DG hardware was an illegal tying arrangement.[5] Soon after, IBM 'published' its DOS source for free,[citation needed] and Microsoft was born. Unable to sustain the loss from lawyer's fees, Data General ended up being taken over by EMC Corporation. The Supreme Court decision made it possible to value software, and also purchase Software patents. The move by IBM was almost a protest at the time. Few in the industry believed that anyone would profit from it other than IBM (through free publicity). Microsoft and Apple were able to thus cash in on 'soft' products. It is hard to imagine today that people once felt that software was worthless without a machine. There are many successful companies today that sell only software products, though there are still many common software licensing problems due to the complexity of designs and poor documentation, leading to patent trolls. With open software specifications and the possibility of software licensing, new opportunities arose for software tools that then became the de facto standard, such as DOS for operating systems, but also various proprietary word processing and spreadsheet programs. In a similar growth pattern, proprietary development methods became standard Software development methodology. [edit] Overview A layer structure showing where the operating system is located on generally used software systems on desktops Software includes all the various forms and roles that digitally stored data may have and play in a computer (or similar system), regardless of whether the data is used as code for a CPU, or other interpreter, or whether it represents other kinds of information. Software thus encompasses a wide array of products that may be developed using different techniques such as ordinary programming languages, scripting languages, microcode, or an FPGA configuration. The types of software include web pages developed in languages and frameworks like HTML, PHP, Perl, JSP, ASP.NET, XML, and desktop applications like OpenOffice.org, Microsoft Word developed in languages like C, C++, Objective-C, Java, C#, or Smalltalk. Application software usually runs on an underlying software operating systems such as Linux or Microsoft Windows. Software (or firmware) is also used in video games and for the configurable parts of the logic systems of automobiles, televisions, and other consumer electronics. Computer software is so called to distinguish it from computer hardware, which encompasses the physical interconnections and devices required to store and execute (or run) the software. At the lowest level, executable code consists of machine language instructions specific to an individual processor. A machine language consists of groups of binary values signifying processor instructions that change the state of the computer from its preceding state. Programs are an ordered sequence of instructions for changing the state of the computer in a particular sequence. It is usually written in high-level programming languages that are easier and more efficient for humans to use (closer to natural language) than machine language. High-level languages are compiled or interpreted into machine language object code. Software may also be written in an assembly language, essentially, a mnemonic representation of a machine language using a natural language alphabet. Assembly language must be assembled into object code via an assembler. [edit] Types of software This section does not cite any references or sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. (August 2010) Practical computer systems divide software systems into three major classes[citation needed]: system software, programming software and application software, although the distinction is arbitrary, and often blurred. [edit] System software System software provides the basic functions for computer usage and helps run the computer hardware and system. It includes a combination of the following: * Device drivers * Operating systems * Servers * Utilities * Window systems System software is responsible for managing a variety of independent hardware components, so that they can work together harmoniously. Its purpose is to unburden the application software programmer from the often complex details of the particular computer being used, including such accessories as communications devices, printers, device readers, displays and keyboards, and also to partition the computer's resources such as memory and processor time in a safe and stable manner. [edit] Programming software Programming software usually provides tools to assist a programmer in writing computer programs, and software using different programming languages in a more convenient way. The tools include: * Compilers * Debuggers * Interpreters * Linkers * Text editors An Integrated development environment (IDE) is a single application that attempts to manage all these functions. [edit] Application software Application software is developed to aid in any task that benefits from computation. It is a broad category, and encompasses software of many kinds, including the internet browser being used to display this page. This category includes: * Business software * Computer-aided design * Databases * Decision making software * Educational software * Image editing * Industrial automation * Mathematical software * Medical software * Molecular modeling software * Quantum chemistry and solid state physics software * Simulation software * Spreadsheets * Telecommunications (i.e., the Internet and everything that flows on it) * Video editing software * Video games * Word processing [edit] Software topics [edit] Architecture See also: Software architecture Users often see things differently than programmers. People who use modern general purpose computers (as opposed to embedded systems, analog computers and supercomputers) usually see three layers of software performing a variety of tasks: platform, application, and user software. * Platform software: Platform includes the firmware, device drivers, an operating system, and typically a graphical user interface which, in total, allow a user to interact with the computer and its peripherals (associated equipment). Platform software often comes bundled with the computer. On a PC you will usually have the ability to change the platform software. * Application software: Application software or Applications are what most people think of when they think of software. Typical examples include office suites and video games. Application software is often purchased separately from computer hardware. Sometimes applications are bundled with the computer, but that does not change the fact that they run as independent applications. Applications are usually independent programs from the operating system, though they are often tailored for specific platforms. Most users think of compilers, databases, and other "system software" as applications. * User-written software: End-user development tailors systems to meet users' specific needs. User software include spreadsheet templates and word processor templates. Even email filters are a kind of user software. Users create this software themselves and often overlook how important it is. Depending on how competently the user-written software has been integrated into default application packages, many users may not be aware of the distinction between the original packages, and what has been added by co-workers. [edit] Documentation Main article: Software documentation Most software has software documentation so that the end user can understand the program, what it does, and how to use it. Without clear documentation, software can be hard to use—especially if it is very specialized and relatively complex like Photoshop or AutoCAD. Developer documentation may also exist, either with the code as comments and/or as separate files, detailing how the programs works and can be modified. [edit] Library Main article: Software library An executable is almost always not sufficiently complete for direct execution. Software libraries include collections of functions and functionality that may be embedded in other applications. Operating systems include many standard Software libraries, and applications are often distributed with their own libraries. [edit] Standard Main article: Software standard Since software can be designed using many different programming languages and in many different operating systems and operating environments, software standard is needed so that different software can understand and exchange information between each other. For instance, an email sent from a Microsoft Outlook should be readable from Yahoo! Mail and vice versa. [edit] Execution Main article: Execution (computing) Computer software has to be "loaded" into the computer's storage (such as the hard drive or memory). Once the software has loaded, the computer is able to execute the software. This involves passing instructions from the application software, through the system software, to the hardware which ultimately receives the instruction as machine code. Each instruction causes the computer to carry out an operation – moving data, carrying out a computation, or altering the control flow of instructions. Data movement is typically from one place in memory to another. Sometimes it involves moving data between memory and registers which enable high-speed data access in the CPU. Moving data, especially large amounts of it, can be costly. So, this is sometimes avoided by using "pointers" to data instead. Computations include simple operations such as incrementing the value of a variable data element. More complex computations may involve many operations and data elements together. [edit] Quality and reliability Main articles: Software quality, Software testing, and Software reliability Software quality is very important, especially for commercial and system software like Microsoft Office, Microsoft Windows and Linux. If software is faulty (buggy), it can delete a person's work, crash the computer and do other unexpected things. Faults and errors are called "bugs." Many bugs are discovered and eliminated (debugged) through software testing. However, software testing rarely – if ever – eliminates every bug; some programmers say that "every program has at least one more bug" (Lubarsky's Law). All major software companies, such as Microsoft, Novell and Sun Microsystems, have their own software testing departments with the specific goal of just testing. Software can be tested through unit testing, regression testing and other methods, which are done manually, or most commonly, automatically, since the amount of code to be tested can be quite large. For instance, NASA has extremely rigorous software testing procedures for many operating systems and communication functions. Many NASA based operations interact and identify each other through command programs called software. This enables many people who work at NASA to check and evaluate functional systems overall. Programs containing command software enable hardware engineering and system operations to function much easier together. [edit] License Main article: Software license The software's license gives the user the right to use the software in the licensed environment. Some software comes with the license when purchased off the shelf, or an OEM license when bundled with hardware. Other software comes with a free software license, granting the recipient the rights to modify and redistribute the software. Software can also be in the form of freeware or shareware. [edit] Patents Main articles: Software patent and Software patent debate Software can be patented in some but not all countries; however, software patents can be controversial in the software industry with many people holding different views about it. The controversy over software patents is about specific algorithms or techniques that the software contains, which may not be duplicated by others and considered intellectual property and copyright infringement depending on the severity. [edit] Design and implementation Main articles: Software development, Computer programming, and Software engineering Design and implementation of software varies depending on the complexity of the software. For instance, design and creation of Microsoft Word software will take much more time than designing and developing Microsoft Notepad because of the difference in functionalities in each one. Software is usually designed and created (coded/written/programmed) in integrated development environments (IDE) like Eclipse, Emacs and Microsoft Visual Studio that can simplify the process and compile the program. As noted in different section, software is usually created on top of existing software and the application programming interface (API) that the underlying software provides like GTK+, JavaBeans or Swing. Libraries (APIs) are categorized for different purposes. For instance, JavaBeans library is used for designing enterprise applications, Windows Forms library is used for designing graphical user interface (GUI) applications like Microsoft Word, and Windows Communication Foundation is used for designing web services. Underlying computer programming concepts like quicksort, hashtable, array, and binary tree can be useful to creating software. When a program is designed, it relies on the API. For instance, if a user is designing a Microsoft Windows desktop application, he/she might use the .NET Windows Forms library to design the desktop application and call its APIs like Form1.Close() and Form1.Show()[6] to close or open the application and write the additional operations him/herself that it need to have. Without these APIs, the programmer needs to write these APIs him/herself. Companies like Sun Microsystems, Novell, and Microsoft provide their own APIs so that many applications are written using their software libraries that usually have numerous APIs in them. Computer software has special economic characteristics that make its design, creation, and distribution different from most other economic goods.[7][8] A person who creates software is called a programmer, software engineer, software developer, or code monkey, terms that all have a similar meaning. [edit] Software types Examples of computer software include: * Application software includes end-user applications of computers such as word processors or video games, and ERP software for groups of users. * Middleware controls and co-ordinates distributed systems. * Programming languages define the syntax and semantics of computer programs. For example, many mature banking applications were written in the COBOL language, originally invented in 1959. Newer applications are often written in more modern programming languages. * System software includes operating systems, which govern computing resources. Today[when?] large[quantify] applications running on remote machines such as Websites are considered[by whom?] to be system software, because[citation needed] the end-user interface is generally through a graphical user interface, such as a web browser. * Teachware is any special breed of software or other means of product dedicated to education purposes in software engineering and beyond in general education[9]. * Testware is any software for testing hardware or a software package. * Firmware is low-level software often stored on electrically programmable memory devices. Firmware is given its name because it is treated like hardware and run ("executed") by other software programs. Firmware often is not accessible for change by other entities but the developers' enterprises. * Shrinkware is the older name given to consumer-purchased software, because it was often sold in retail stores in a shrink-wrapped box. * Device drivers control parts of computers such as disk drives, printers, CD drives, or computer monitors. * Programming tools help conduct computing tasks in any category listed above. For programmers, these could be tools for debugging or reverse engineering older legacy systems in order to check source code compatibility. [edit] Industry and organizations Main article: Software industry A great variety of software companies and programmers in the world comprise a software industry. Software can be quite a profitable industry: Bill Gates, the founder of Microsoft was the richest person in the world in 2009 largely by selling the Microsoft Windows and Microsoft Office software products. The same goes for Larry Ellison, largely through his Oracle database software. Through time the software industry has become increasingly specialized. Non-profit software organizations include the Free Software Foundation, GNU Project and Mozilla Foundation. Software standard organizations like the W3C, IETF develop software standards so that most software can interoperate through standards such as XML, HTML, HTTP or FTP. Other well-known large software companies include Novell, SAP, Symantec, Adobe Systems, and Corel, while small companies often provide innovation. [edit] See also * List of software * hardware [edit] References 1. ^ "Wordreference.com: WordNet 2.0". Princeton University, Princeton, NJ. http://www.wordreference.com/definition/software. Retrieved 2007-08-19. 2. ^ software..(n.d.). Dictionary.com Unabridged (v 1.1). Retrieved 2007-04-13, from Dictionary.com website: http://dictionary.reference.com/browse/software 3. ^ Hally, Mike (2005:79). Electronic brains/Stories from the dawn of the computer age. British Broadcasting Corporation and Granta Books, London. ISBN 1-86207-663-4. 4. ^ a b John Tukey, 85, Statistician; Coined the Word 'Software', New York Times, Obituaries, July 28, 2000 [1] 5. ^ Tying Arrangements and the Computer Industry: Digidyne Corp. vs. Data General 6. ^ "MSDN Library". http://msdn.microsoft.com/en-us/library/default.aspx. Retrieved 2010-06-14. 7. ^ v. Engelhardt, Sebastian (2008): "The Economic Properties of Software", Jena Economic Research Papers, Volume 2 (2008), Number 2008-045. (in Adobe pdf format) 8. ^ "Why Open Source Is The Optimum Economic Paradigm for Software" by Dan Kaminsky 1999 9. ^ [www.dict.cc/englisch-deutsch/teachware.html Translation 'teachware'] [edit] External links Look up software in Wiktionary, the free dictionary. * Software Wikia

Why a growing number of artists are turning away from image-making to writing and performance image

Why a growing number of artists are turning away from image-making to writing and performance image Simon Fujiwara Welcome to the Hotel Munber (2009) A couple of weeks ago, I witnessed two consecutive performances by artists who think of themselves as visual artists – that is to say, as makers of images, first and foremost. They were fine performances, if a tad visually underwhelming, as the makers had clearly meant them to be. Both involved the artists either standing rather rigidly or moving about very deliberately and reciting texts, which were either read from a badly lit piece of paper or hauled from a visibly untrained memory. That such ‘textual’ non-events should haven taken place in a well-regarded art institution known for its beautiful architecture and occasional forays into spectacle (i.e. visual pleasure) didn’t strike me as particularly surprising. Rather, it’s symptomatic of a general condition afflicting cultural production in these times of instant image inundation that an ever-growing number of artists are visibly anxious to extricate themselves from. Having taught at a number of art schools, I am now used to being asked, upon entering a young artist’s studio, to either read or listen to work as opposed to simply look at it – indeed, ‘looking’, in its old-fashioned sense, is very often left out of the equation entirely. In most cases, listening to work means listening to the artist’s deliberately listless and unaccompanied voice (monologue), to fragments of speech (either polyphony or cacophony), to people idly chatting (dialogue), or to hearsay (gossip, rumours, secrets, things whispered rather than exclaimed and certainly not written down). The narrative and the vocal are the two defining parameters of this trend; some of the artists whose work can be directly associated with this ever-expanding speech bubble include Ian Wilson (the granddaddy of it all), Tris Vonna-Michell, Imogen Stidworthy, Tino Sehgal, Falke Pisano, Susan Philipsz (whose Turner Prize interviews revolved around her not being a sound artist), Karl Holmqvist, Simon Fujiwara and Roberto Cuoghi. The resurgence of critical interest in Wilson’s radically dematerialized practice ­cannot be considered outside the context of the aforementioned phenomenon. It’s a sonorous landscape circumscribed by the spectral regimes of ventriloquism (Asta Gröting’s video cycle from 1993–2004, The Inner Voice, comes to mind, as does Jeff Wall’s 1990 photograph Ventriloquist at a Birthday Party in October, 1947) and charisma (think of the gold-coated Joseph Beuys explaining paintings to a dead hare), ruled by the myth of the indomitable immateriality, so easily reconfigured as ‘criticality’. The central claim here is that hearsay – words softly spoken into the ether (again, there is not a lot of yelling in this kind of work) – resists commodification. Other chimerical forms that crowd around the authority of the vocal chords evoke ‘a voice and nothing else’, to paraphrase the title of A Voice and Nothing More (2006) by Slovenian cultural theorist Mladen Dolar, who observed ‘the voice as a vehicle of meaning, a source of aesthetic admiration, and an object that can be seen as the lever of thought’. All of this relates to drones, mantras and nursery rhymes (e.g. repetition and conjuration), to prophecies and orations (the evangelical preacher being something of an improbable paragon here), to hypnosis and the talking cure (the couch is often a very important piece of furniture in the studios of the aforementioned art students), to political rhetoric (‘speechifying’) and the theatre of pseudo-academic lecturing. Reading an art work often means reading the scripted versions of all of the above: scripts have become a big deal among an emerging generation of artists, where theatre and the related arts of the stage seem to have replaced film (one of the dominant paradigms of much ’90s art) as the reference frame of choice. (This shift is, of course, more complex than can be thoroughly explored or theorized in these pages, but the textual or literary nature of theatre is only one factor in the attraction it now seems to hold for younger artists, the other being its live character and guarantee of something ‘real’ taking place.) It’s telling that one of last year’s most talked about exhibitions in New York was Marina Abramovic´’s retrospective, ‘The Artist is Present’, at the Museum of Modern Art, during the entire run of which the artist was indeed present. Eight years ago, the defining event would probably have been Matthew Barney’s ‘The Cremaster Cycle’ (1994–2002) – how things have changed. A theatre stage has replaced a cinema; live performers accosting visitors have replaced projections. It’s worth recalling here the key argument of Jacques Derrida’s Of Grammatology (1967): that the Western tradition of a ‘metaphysics of presence’ is built on the primacy of the spoken word over the written word. Very often today reading a work of art means looking at writing (the renaissance of collage does not just concern pictures, but also text), leafing through books, journals or stacks of photocopies and marvelling at the archaic aesthetic of the typewriter. I have long suspected that the enthusiasm evinced by many younger artists for the more obscure marginalia of 1960s and ’70s Conceptual art – such as deciphering painstakingly handwritten stories on crumpled pieces of paper that are then stuck to the wall, or reading the very same handwriting directly on the wall – is linked to the movement’s fondness for the typewriter, the primary source of the typography fetish that Benjamin Buchloh referred to as the ‘aesthetics of administration’.1 No matter how immaterial the claims of these various practices may sound, both written and printed matter are often at the heart of it all. However, there was a time, in only 2004, when this state of affairs appeared incongruous enough to occasion the publication by Revolver of a book titled Now What? Artists Write! Now, the genre of writing-by-artists, presided over by the shining examples of Robert Smithson, Dan Graham, Donald Judd and Agnes Martin, is fast becoming a flourishing niche market. Indeed, the increased interest in narration (fiction, alternative historiography, memoirs and even poetry) has done wonders for the spread of bibliophilia in an era consumed by the fear of the book’s apparently inevitable end, which has been declared in tones ranging from the apocalyptic (Nicholas Carr’s The Shallows: What the Internet is Doing to Our Brains, 2010) to the plainly ecstatic (Clay Shirky’s Cognitive Surplus: Creativity and Generosity in a Connected Age, 2010). image Falke Pisano Object Construction I, Reflective Abstraction (Mishima) (2007) Much like decades ago, when it became a refuge for more adventurously minded film- and documentary makers, the art world has now become one of the few places where the culture of the book continues to reign relatively unchallenged, seemingly impervious to the curse of Kindles, iPads and e-books. While artists seem to be consuming as well as producing more books than ever before, more art magazines are being published today than at any time in recent history and the seemingly limitless demand for content to fill the cosmic expanse of Cyberia has meant that there has never been so much writing about writing, publishing about publishing, talking about talking or language about language. (See for instance, the appearance of ‘speciality’ journals such as The Happy Hypocrite, Dot Dot Dot, and F.R. David. Other artists, art collectives and publishing ventures that occupy positions of some importance in this unruly landscape are Fiona Banner, Paul Chan, Keren Cytter, Liam Gillick, Antonia Hirsch, Julieta Aranda and Anton Vidokle’s e-flux Journal, Seth Price and the collective Continuous Project, and Lili Reynaud Dewar’s magazine pétunia.) ‘Words don’t come easy’ they used to say back in the early ’80s when, in Europe at least, art movements such as the Neue Wilden in Germany, the Transavanguardia in Italy, and New British Sculptors reigned supreme and words in art did not count for much. But that was a long time ago: never before, it seems, have words come more easily to art – that is to say, to artists. Why?2 One factor that has contributed to this recent development is the increased demand for literacy (both of the literary and theoretical variety) that has become an essential ingredient of art education. A certain professionalization of the artist’s trade as a result of the increasing pressure for art academies to become more academic has entered the picture. Art has been reconfigured as research to meet the demands of the information-and-knowledge economy, which has meant that artists are now routinely expected to be at home in various discourses in ways unimaginable to earlier generations, who very often chose art as a way out of language. Eloquence in the contextualization and/or defence of one’s work is now simply de rigueur – nothing more, nothing less. No wonder then that there is an incessant demand for talk in both art schools and the art market. (It has become increasingly difficult to imagine an art fair without an accompanying talks programme. I, for one, must admit to having spoken at more art fairs than non-profit art institutions last year). Thus, there is now a hypertrophy of art practices that centre around talk and an excess of art production that appears to ‘merely’ consist of a voice, and nothing else. As the art market cannot allow itself to lag behind too much, it has devised ways in which all of this friendly art banter, appearing as it does as the horizon of radical, forward-looking art practice, can be turned into a source of potential profit. Finally, the whiff of anachronism and obsolescence that surrounds the art of the book has turned out to be a potent attractor, triggering many an artist’s instinct to come to the rescue of cultural phenomena that are either marginalized or threatened with extinction. Much art of the last decade has been melancholy and nostalgic, obsessed with both the past and its archival residues, and as the book is transformed into a historical artefact, an artistic cult of care is beginning to accrue around this last of the great models of a modernity that has become redefined, in the course of the last decade, as our antiquity. And what could be more ancient and archaic – and thus more alluring – than the art of storytelling? To return, by way of conclusion, to my observation about the problem of instant image inundation: there is a growing sense among many artists and curators that in order for art to extricate itself from our culture’s dramatically devalued image economy it needs to retreat into language. Ironically perhaps, whereas words now seem to come easy to art, images, for a variety of reasons (one being that they have become so cheap) no longer do. For a long time, ‘Art & Language’ was the name of a problem as much as a conceptual art collective, but in recent years, it has become the name of an alliance, cemented around the duty of remembering when everywhere else the hypertrophy of image production seems to be predicated on forgetting – an annihilation, of sort. If art has become the privileged site for the telling and retelling (i.e. the preserving) of histories, it is primarily because history itself is disappearing amidst the maelstrom of its visual record. 1 ‘Conceptual Art 1962–1969: From the Aesthetic of Administration to the Critique of Institutions’, Benjamin H.D. Buchloh, October, vol. 55. winter, 1990, pp. 105–143 2 The reference to the 1982 European hit record ‘Words Don’t Come Easy’ by a French pop star F.R. David is not, of course, unintentional: F.R. David is also the title of a journal, published by De Appel arts centre in Amsterdam, that ‘focuses on the status of language, writing and text in contemporary art practice’. I was, until recently, involved with it. Dieter Roelstraete is a curator at Museum van Hedendaagse Kunst Antwerpen in Belgium and an editor of Afterall. He lives in Berlin, Germany. frieze is now accepting letters to the editors for possible publication at editors@frieze.com.

Sunday, October 30, 2011

Amazon.com Discussion Boards

Associates Discussion Board Welcome to the Associates Helping Associates Discussion Board --the online meeting place for Amazon.com Associates. If you've got questions to ask or advice to give, just post a message on the board. With thousands of Associates in the program, you're bound to get some helpful replies. The discussion board is a forum for communication between Associates, however, we will go in and address issues from time to time. If you have questions or feedback for Amazon.com, please contact us. Associates Discussion Board Please note that this discussion board is part of the Amazon.com "Friends and Favorites" service, and you will be subject to the Friends and Favorites Guidelines when you use this service. Before posting a message, you'll be asked to complete the following two steps. Log In. Be sure to use your Associates Central e-mail address and password. Create your "Friends and Favorites" Profile.Examples of what to include in your posts: # Tips and success stories--what worked well for you that others might benefit from # News or information that you think will be useful to other Associates # Questions or advice on how to improve site traffic, site design, sales, etc # Questions or advice on how to resolve technical issues Examples of what not to include in your posts: # Profanity, obscenities, or spiteful remarks # Promotion of business practices that are not in accordance with our Operating Agreement # Questions or feedback intended for Amazon.com staff # Information not related to the Amazon.com Associates Program Associates Discussion Board

Use your Google+ profile with your Blogger blogs (Cross-posted from Blogger Buzz)

Use your Google+ profile with your Blogger blogs (Cross-posted from Blogger Buzz) In fewer than 4 months since its launch, more than 40 million people have joined Google+, making it a living, breathing space for social connections and sharing to thrive. Today we’re excited to announce the first way you will be able to leverage Google+ -- by making it possible to replace your Blogger profile with your Google+ profile. In addition to giving your readers a more robust and familiar sense of who you are, your social connections will see your posts in their Google search results with an annotation that you've shared the post. Plus, bloggers who switch will automatically get access to the Google+ integrations we’ll be rolling out in the future. If you blog under a pseudonym and you don’t want to connect your common name with your blog, this integration may not work for you. That’s why we’ve made it completely optional to switch. This option is available for all users today in our testing ground, Blogger in Draft, and will be accessible from www.blogger.com in the coming weeks. If you have a Google+ account and would like to replace your Blogger profile with your Google+ profile, log in to draft.blogger.com and click “Get started” on the promotion message, pictured below, or click here to get started right away. If you don’t have a Google+ account, you can create one here first, and then head back to draft.blogger.com and look for the promotion message. To learn more, check out our FAQs or visit our Help Forum. Happy blogging! Posted by Vardhman Jain, Software Engineer

Associates Program Operating Agreement

This Associates Program Operating Agreement (“Operating Agreement”) contains the terms and conditions that govern your participation in the Amazon Services LLC Associates Program (the “Program”). “We,” “us,” or “our” means Amazon Services LLC or any of its affiliate companies (excluding those that sell retail products), as the case may be. “You” or “your” means the applicant. A “site” means a website. “Amazon Site” means the amazon.com site, the endless.com site, the smallparts.com site, or the myhabit.com site, as applicable. “Your site” means any site(s) and any software application(s) that you link to the Amazon Site. BY CHECKING THE BOX INDICATING THAT YOU AGREE TO THE TERMS AND CONDITIONS OF THIS OPERATING AGREEMENT, OR BY CONTINUING TO PARTICIPATE IN THE PROGRAM FOLLOWING OUR POSTING OF A CHANGE NOTICE, REVISED OPERATING AGREEMENT, OR REVISED OPERATIONAL DOCUMENTATION ON THE AMAZON.COM SITE, YOU (A) AGREE TO BE BOUND BY THIS OPERATING AGREEMENT; (B) ACKNOWLEDGE AND AGREE THAT YOU HAVE INDEPENDENTLY EVALUATED THE DESIRABILITY OF PARTICIPATING IN THE PROGRAM AND ARE NOT RELYING ON ANY REPRESENTATION, GUARANTEE, OR STATEMENT OTHER THAN AS EXPRESSLY SET FORTH IN THIS OPERATING AGREEMENT; AND (C) HEREBY REPRESENT AND WARRANT THAT YOU ARE LAWFULLY ABLE TO ENTER INTO CONTRACTS (E.G., YOU ARE NOT A MINOR) AND THAT YOU ARE AND WILL REMAIN IN COMPLIANCE WITH THIS OPERATING AGREEMENT, INCLUDING THE ASSOCIATES PROGRAM PARTICIPATION REQUIREMENTS. IN ADDITION, IF THIS OPERATING AGREEMENT IS BEING AGREED TO BY A COMPANY OR OTHER LEGAL ENTITY, THEN THE PERSON AGREEING TO THIS OPERATING AGREEMENT ON BEHALF OF THAT COMPANY OR ENTITY HEREBY REPRESENTS AND WARRANTS THAT HE OR SHE IS AUTHORIZED AND LAWFULLY ABLE TO BIND THAT COMPANY OR ENTITY TO THIS OPERATING AGREEMENT. 1. Description of the Program The purpose of the Program is to permit you to advertise Products on your site and to earn advertising fees for Qualifying Purchases (defined in Section 7) made by your end users. A “Product” is any item sold on the Amazon Site, other than any product that is listed on this page (collectively, “Excluded Products”). Product may also include certain services, if any, expressly included on the Associates Program Advertising Fee Schedule. In order to facilitate your advertisement of Products, we may make available to you data, images, text, link formats, widgets, links, and other linking tools, and other information in connection with the Program ("Content"). Content specifically excludes any data, images, text, or other information or content relating to products offered on any site other than the Amazon Site. 2. Enrollment To begin the enrollment process, you must submit a complete and accurate Program application. You must identify your site in your application. We will evaluate your application and notify you of its acceptance or rejection. We may reject your application if we determine that your site is unsuitable. Unsuitable sites include those that: (a) promote or contain sexually explicit materials; (b) promote violence or contain violent materials; (c) promote or contain libelous or defamatory materials; (d) promote discrimination, or employ discriminatory practices, based on race, sex, religion, nationality, disability, sexual orientation, or age; (e) promote or undertake illegal activities; (f) include any trademark of Amazon or its affiliates, or a variant or misspelling of a trademark of Amazon or its affiliates, in any domain name – for example, a domain name such as , , , , , or would be unsuitable; (g) include any trademark of Amazon or its affiliates in any username, group name, or other identifier on any social networking website – for example, a username such as “Endless Shoes,” “Amazon Japan,” “Smallparts Hardware,” or “Kindle For You” registered on a social networking site such as Twitter or Facebook would be unsuitable; or (h) otherwise violate intellectual property rights. If we reject your application, you are welcome to reapply at any time. However, if we accept your application and we later determine that your site is unsuitable, we may terminate this Operating Agreement. You will ensure that the information in your Program application and otherwise associated with your account, including your email address and other contact information and identification of your site, is at all times complete, accurate, and up-to-date. We may send notifications (if any), approvals (if any), and other communications relating to the Program and this Operating Agreement to the email address then-currently associated with your Program account. You will be deemed to have received all notifications, approvals, and other communications sent to that email address, even if the email address associated with your account is no longer current. In addition, if at any time following your enrollment in the Program you become a resident of Arkansas, Colorado, Illinois, North Carolina, Rhode Island, or Connecticut, you will become ineligible to participate in the Program, and this Operating Agreement will automatically terminate, on the date you establish residency in that state. In addition, you must promptly notify us in writing of your Arkansas, Colorado, Illinois, North Carolina, Rhode Island, or Connecticut residency, which you may do via the Contact Associates Customer Service form available here. 3. Links on Your Site After you have been notified that you have been accepted into the Program, you may display Special Links on your site. “Special Links” are links to the Amazon Site that you place on your site in accordance with this Operating Agreement, that properly utilize the special “tagged” link formats we provide, and that comply with the Associates Program Linking Requirements. Special Links permit accurate tracking, reporting, and accrual of advertising fees. You may earn advertising fees only as described in Section 7 and only with respect to activity on the Amazon Site occurring directly through Special Links. We will have no obligation to pay you advertising fees if you fail to properly format the links on your site to the Amazon Site as Special Links, including to the extent that such failure may result in any reduction of advertising fee amounts that would otherwise be paid to you under this Operating Agreement. 4. Program Requirements By participating in the Program, you agree that you will comply with the Associates Program Participation Requirements and all pages, schedules, policies, guidelines, and other documents and materials referenced in this Operating Agreement (collectively, “Operational Documentation”). You will provide us with any information that we request to verify your compliance with this Operating Agreement or any Operational Documentation. If we determine that you have not complied with any requirement or restriction described on the Associates Program Participation Requirements page or any other Operational Documentation or that you have otherwise violated this Operating Agreement, we may (in addition to any other rights or remedies available to us) withhold any advertising fees payable to you under this Operating Agreement, terminate this Operating Agreement, or both. In addition, you hereby consent to us: * sending you emails relating to the Program from time to time; * monitoring, recording, using, and disclosing information about your site and visitors to your site that we obtain in connection with your display of Special Links (e.g., that a particular Amazon customer clicked through a Special Link from your site before buying a Product on the Amazon Site) in accordance with the Amazon.com Associates Privacy Notice; and * monitoring, crawling, and otherwise investigating your site to verify compliance with this Operating Agreement and the Operational Documentation. 5. Responsibility for Your Site You will be solely responsible for your site, including its development, operation, and maintenance and all materials that appear on or within it. For example, you will be solely responsible for: * the technical operation of your site and all related equipment; * displaying Special Links and Content on your site in compliance with this Operating Agreement and the Operational Documentation and any agreement between you and any other person or entity (including any restrictions or requirements placed on you by any person or entity that hosts your site); * creating and posting, and ensuring the accuracy, completeness, and appropriateness of, materials posted on your site (including all Product descriptions and other Product-related materials and any information you include within or associate with Special Links); * using the Content, your site, and the materials on or within your site in a manner that does not infringe, violate, or misappropriate any of our rights or those of any other person or entity (including copyrights, trademarks, privacy, publicity or other intellectual property or proprietary rights); * disclosing on your site accurately and adequately, either through a privacy policy or otherwise, how you collect, use, store, and disclose data collected from visitors, including, where applicable, that third parties (including us and other advertisers) may serve content and advertisements, collect information directly from visitors, and place or recognize cookies on visitors’ browsers; and * any use that you make of the Content and the Amazon Marks, whether or not permitted under this Operating Agreement. We will have no liability for these matters or for any of your end users’ claims relating to these matters, and you agree to defend, indemnify, and hold us, our affiliates and licensors, and our and their respective employees, officers, directors, and representatives, harmless from and against all claims, damages, losses, liabilities, costs, and expenses (including attorneys’ fees) relating to (a) your site or any materials that appear on your site, including the combination of your site or those materials with other applications, content, or processes; (b) the use, development, design, manufacture, production, advertising, promotion, or marketing of your site or any materials that appear on or within your site, and all other matters described in this Section 5; (c) your use of any Content, whether or not such use is authorized by or violates this Operating Agreement, any Operational Documentation, or applicable law; (d) your violation of any term or condition of this Operating Agreement or any Operational Documentation; or (e) your or your employees' negligence or willful misconduct. 6. Order Processing We will process Product orders placed by customers who follow Special Links from your site to the Amazon Site. We reserve the right to reject orders that do not comply with any requirements on the Amazon Site, as they may be updated from time to time. We will track Qualifying Purchases (defined in Section 7) for reporting and advertising fee accrual purposes and will make available to you reports summarizing those Qualifying Purchases. 7. Advertising Fees We will pay you advertising fees on Qualifying Purchases in accordance with Section 8 and the Associates Program Advertising Fee Schedule. Subject to the exclusions set forth below, a “Qualifying Purchase” occurs when (a) a customer clicks through a Special Link on your site to the Amazon Site; (b) during a single Session that customer either (i) adds a Product to his or her shopping cart and places the order for that Product no later than 89 days following the customer’s initial click-through, (ii) purchases a Product via our 1-Click feature, or (iii) streams or downloads a Product from the Amazon Site if the Product is a Digital Product; and (c) the Product is shipped to or streamed or downloaded by, and paid for by, the customer. A “Session” begins when a customer clicks through a Special Link on your site to the Amazon Site and ends upon the first to occur of the following: (x) 24 hours elapses from the customer’s initial click-through; (y) the customer places an order for a Product that is not a Digital Product; or (z) the customer follows a link to the Amazon Site that is formatted with an Associate’s tag that is not assigned to you. A “Digital Product” is a Product sold under the name “Amazon MP3,” “Amazon Shorts,” “eDocs,” “Amazon Instant Video,” “Amazon Software Downloads,” “Game Downloads,” and “Kindle Books,” “Kindle Newspapers,” “Kindle Blogs,” “Kindle Newsfeeds,” or “Kindle Magazines.” Qualifying Purchases exclude, and we will not pay advertising fees on any of, the following: * any Product that, after expiration of the applicable Session, is added to a customer’s Shopping Cart, is purchased by a customer via our 1-Click feature, or is streamed or downloaded by a customer, even if the customer previously followed a Special Link from your site to the Amazon Site; * any Product purchase that is not correctly tracked or reported because the links from your site to the Amazon Site are not properly formatted; * any Product purchased through a Special Link by you or on your behalf, including Products you purchase through Special Links for yourself, friends, relatives, or associates (e.g., personal orders, orders for your own use, and orders placed by you for or on behalf of any other person or entity); * any Product purchased for resale or commercial use of any kind; * any Product purchased after termination of this Operating Agreement; * any Product order that is canceled or returned; and * any Product purchased by a customer who is referred to the Amazon Site through any of the following: o a Prohibited Paid Search Placement; or o a link to the Amazon Site, including a Redirecting Link, that is generated or displayed on a Search Engine in response to a general Internet search query or keyword (i.e., in natural, free, organic, or unpaid search results), whether those links appear through your submission of data to that site or otherwise. “Prohibited Paid Search Placement” means an advertisement that you purchased through bidding on keywords, search terms, or other identifiers (including Proprietary Terms) or other participation in keyword auctions. “Proprietary Term” means keywords, search terms, or other identifiers that include the word “amazon,” “endless,” “Kindle,” “smallparts,” “myhabit,” or “Javari,” or any other trademark of Amazon or its affiliates, or variations or misspellings of any of those words (e.g., “ammazon,” “amaozn,” “endlss,” “enldess,” “smalparts,” “kindel,” and “javary”). “Redirecting Link” means a link that sends users indirectly to the Amazon Site via an intermediate site or webpage and without requiring the user to click on a link or take some other affirmative action on that intermediate site or webpage. “Search Engine” means Google, Yahoo, Bing, or any other search engine, portal, sponsored advertising service, or other search or referral service, or any site that participates in any of their respective networks. 8. Advertising Fee Payment We will pay you advertising fees on a monthly basis for Qualifying Purchases shipped, streamed, or downloaded (as applicable) in a given month, subject to any applicable withholding or deduction described below. We will pay you approximately 60 days following the end of each calendar month using the payment method you choose from the following available options. If you have not selected one of the payment methods below, we will withhold any unpaid accrued advertising fees until you have done so. (a) Payment by Direct Deposit. If you select payment by direct deposit, we will directly deposit the advertising fees you earn into the bank account you designate, but may accrue and withhold advertising fees until the total amount due to you is at least $10. If you select this method of payment, you must provide us with the name of your bank, the bank account type, the 9-digit routing number/ABA number, the account number, and the name of the primary account holder as it appears on the account. (b) Payment by Amazon.com Gift Card. If you select payment by amazon.com gift card, we will send you a gift card in the amount of the advertising fees you earn, redeemable for products on amazon.com, but we may accrue and withhold advertising fees until the total amount due to you is at least $10. All amazon.com gift cards will be subject to our then-current standard gift card terms and conditions. (c) Payment by Check. If you select payment by check, we will send you a check in the amount of the advertising fees you earn, but we may accrue and withhold advertising fees until the total amount due to you is at least $100. We will deduct a processing fee in the amount of $15 from the advertising fees payable to you for each check we send to you. If you have not earned any advertising fees in the 3 years prior to any given calendar month, then on the first day of that calendar month we may charge you an account maintenance fee that will be deducted from your unpaid accrued advertising fees. That account maintenance fee will be the lesser of $10 or the amount of unpaid accrued advertising fees in your account. Further, any unpaid accrued advertising fees in your account may be subject to escheatment under state law. We may be obligated by law to obtain tax information from you if you are a U.S. citizen, U.S. resident, or U.S. corporation, or if your business is otherwise taxable in the U.S. If we request tax information from you and you do not provide it to us, we may (in addition to any other rights or remedies available to us) withhold your advertising fees until you provide this information or otherwise satisfy us that you are not a person from whom we are required to obtain tax information. 9. Policies and Pricing Customers who buy products through this Program are our customers with respect to all activities they undertake in connection with the Amazon Site. Accordingly, as between you and us, all pricing, terms of sale, rules, policies, and operating procedures concerning customer orders, customer service, and product sales set forth on the Amazon Site will apply to those customers, and we may change them at any time. 10. Identifying Yourself as an Associate You will not issue any press release or make any other public communication with respect to this Operating Agreement, your use of the Content, or your participation in the Program. You will not misrepresent or embellish the relationship between us and you (including by expressing or implying that we support, sponsor, endorse, or contribute to any charity or other cause), or express or imply any relationship or affiliation between us and you or any other person or entity except as expressly permitted by this Operating Agreement. You must, however, clearly state the following on your site: “[Insert your name] is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to [insert the applicable site name (amazon.com, endless.com, smallparts.com or myhabit.com)].” 11. Limited License Subject to the terms of this Operating Agreement and solely for the limited purposes of advertising Products on, and directing end users to, the Amazon Site in connection with the Program, we hereby grant you a limited, revocable, non-transferable, non-sublicensable, non-exclusive, royalty-free license to (a) copy and display the Content solely on your site; and (b) use only those of our trademarks and logos that we may make available to you as part of Content (those trademarks and logos, collectively, “Amazon Marks”) solely on your site and in accordance with the Associates Program Trademark Guidelines. The license set forth in this Section 11 will immediately and automatically terminate if at any time you do not timely comply with any obligation under this Operating Agreement or any Operational Documentation, or otherwise upon termination of this Operating Agreement. In addition, we may terminate the license set forth in this Section 11 in whole or in part upon written notice to you. You will promptly remove from your site and delete or otherwise destroy all of the Content and Amazon Marks with respect to which the license set forth in this Section 11 is terminated or as we may otherwise request from time to time. 12. Reservation of Rights; Submissions Other than the limited licenses expressly set forth in Section 11, we reserve all right, title and interest (including all intellectual property and proprietary rights) in and to, and you do not, by virtue of this Operating Agreement or otherwise, acquire any ownership interest or rights in or to, the Program, Special Links, link formats, Content, any domain name owned or operated by us or our affiliates, Operational Documentation, our and our affiliates’ trademarks and logos (including the Amazon Marks), and any other intellectual property and technology that we provide or use in connection with the Program. If you provide us or any of our affiliates with suggestions, reviews, modifications, data, images, text, or other information or content about a product or in connection with this Operating Agreement, any Content, or your participation in the Program, or if you modify any Content in any way, (collectively, “Your Submission”), you hereby irrevocably assign to us all right, title, and interest in and to Your Submission and grant us (even if you have designated Your Submission as confidential) a perpetual, paid-up royalty-free, nonexclusive, worldwide, irrevocable, freely transferable right and license to (a) use, reproduce, perform, display, and distribute Your Submission in any manner; (b) adapt, modify, re-format, and create derivative works of Your Submission for any purpose; (c) use and publish your name in the form of a credit in conjunction with Your Submission (however, we will not have any obligation to do so); and (d) sublicense the foregoing rights to any other person or entity. Additionally, you hereby warrant that: (y) Your Submission is your original work, or you obtained Your Submission in a lawful manner; and (z) our and our sublicensees’ exercise of rights under the license above will not violate any person’s or entity’s rights, including any copyright rights. You agree to provide us such assistance as we may require to document, perfect, or maintain our rights in and to Your Submission. 13. Compliance with Laws In connection with your participation in the Program you will comply with all applicable laws, ordinances, rules, regulations, orders, licenses, permits, judgments, decisions, and other requirements of any governmental authority that has jurisdiction over you, including laws (federal, state, or otherwise) that govern marketing email (e.g., the CAN-SPAM Act of 2003). 14. Term and Termination The term of this Operating Agreement will begin upon our acceptance of your Program application and will end when terminated by either you or us. Either you or we may terminate this Operating Agreement at any time, with or without cause, by giving the other party written notice of termination. Upon any termination of this Operating Agreement, any and all licenses you have with respect to Content will automatically terminate and you will immediately stop using the Content and Amazon Marks and promptly remove from your site and delete or otherwise destroy all links to the Amazon Site, all Amazon Marks, all other Content, and any other materials provided or made available by or on behalf of us to you under this Operating Agreement or otherwise in connection with the Program. We may withhold accrued unpaid advertising fees for a reasonable period of time following termination to ensure that the correct amount is paid (e.g., to account for any cancelations or returns). Upon any termination of this Operating Agreement, all rights and obligations of the parties will be extinguished, except that the rights and obligations of the parties under Sections 5, 9, 10, 12, 13, 14, 16, 17, 18, 19, and 20, together with any accrued but unpaid payment obligations of us under this Operating Agreement, will survive the termination of this Operating Agreement. No termination of this Operating Agreement will relieve either party for any liability for any breach of, or liability accruing under, this Operating Agreement prior to termination. 15. Modification We may modify any of the terms and conditions contained in this Operating Agreement (and any Operational Documentation) at any time and in our sole discretion by posting a change notice, revised agreement, or revised Operational Documentation on the amazon.com site. Modifications may include, for example, changes to the Associates Program Advertising Fee Schedule, Associates Program Participation Requirements, payment procedures, and other Program requirements. IF ANY MODIFICATION IS UNACCEPTABLE TO YOU, YOUR ONLY RECOURSE IS TO TERMINATE THIS OPERATING AGREEMENT. YOUR CONTINUED PARTICIPATION IN THE PROGRAM FOLLOWING OUR POSTING OF A CHANGE NOTICE, REVISED OPERATING AGREEMENT, OR REVISED OPERATIONAL DOCUMENTATION ON THE AMAZON.COM SITE WILL CONSTITUTE YOUR BINDING ACCEPTANCE OF THE CHANGE. 16. Relationship of Parties You and we are independent contractors, and nothing in this Operating Agreement or the Operational Documentation will create any partnership, joint venture, agency, franchise, sales representative, or employment relationship between you and us or our respective affiliates. You will have no authority to make or accept any offers or representations on our or our affiliates’ behalf. You will not make any statement, whether on your site or otherwise, that contradicts or may contradict anything in this section. If you authorize, assist, encourage, or facilitate another person or entity to take any action related to the subject matter of this Operating Agreement, you will be deemed to have taken the action yourself. 17. Limitation of Liability WE WILL NOT BE LIABLE FOR INDIRECT, INCIDENTAL, SPECIAL, CONSEQUENTIAL, OR EXEMPLARY DAMAGES (INCLUDING ANY LOSS OF REVENUE, PROFITS, GOODWILL, USE, OR DATA) ARISING IN CONNECTION WITH THIS OPERATING AGREEMENT, THE PROGRAM, OPERATIONAL DOCUMENTATION, THE AMAZON SITE, OR THE SERVICE OFFERINGS (DEFINED BELOW), EVEN IF WE HAVE BEEN ADVISED OF THE POSSIBILITY OF THOSE DAMAGES. FURTHER, OUR AGGREGATE LIABILITY ARISING IN CONNECTION WITH THIS OPERATING AGREEMENT, THE PROGRAM, THE AMAZON SITE, AND THE SERVICE OFFERINGS WILL NOT EXCEED THE TOTAL ADVERTISING FEES PAID OR PAYABLE TO YOU UNDER THIS OPERATING AGREEMENT IN THE TWELVE MONTHS IMMEDIATELY PRECEDING THE DATE ON WHICH THE EVENT GIVING RISE TO THE MOST RECENT CLAIM OF LIABILITY OCCURRED. 18. Disclaimers THE PROGRAM, THE AMAZON SITE, ANY PRODUCTS AND SERVICES OFFERED ON THE AMAZON SITE, ANY SPECIAL LINKS, LINK FORMATS, OPERATIONAL DOCUMENTATION, CONTENT, AMAZON.COM DOMAIN NAME, ENDLESS.COM DOMAIN NAME, SMALLPARTS.COM DOMAIN NAME, MYHABIT.COM DOMAIN NAME OUR AND OUR AFFILIATES’ TRADEMARKS AND LOGOS (INCLUDING THE AMAZON MARKS), AND ALL TECHNOLOGY, SOFTWARE, FUNCTIONS, MATERIALS, DATA, IMAGES, TEXT, AND OTHER INFORMATION AND CONTENT PROVIDED OR USED BY OR ON BEHALF OF US OR OUR AFFILIATES OR LICENSORS IN CONNECTION WITH THE PROGRAM (COLLECTIVELY THE "SERVICE OFFERINGS") ARE PROVIDED "AS IS." NEITHER WE NOR ANY OF OUR AFFILIATES OR LICENSORS MAKE ANY REPRESENTATION OR WARRANTY OF ANY KIND, WHETHER EXPRESS, IMPLIED, STATUTORY, OR OTHERWISE WITH RESPECT TO THE SERVICE OFFERINGS. EXCEPT TO THE EXTENT PROHIBITED BY APPLICABLE LAW, WE AND OUR AFFILIATES AND LICENSORS DISCLAIM ALL WARRANTIES WITH RESPECT TO THE SERVICE OFFERINGS, INCLUDING ANY IMPLIED WARRANTIES OF MERCHANTABILITY, SATISFACTORY QUALITY, FITNESS FOR A PARTICULAR PURPOSE, NON-INFRINGEMENT, AND QUIET ENJOYMENT, AND ANY WARRANTIES ARISING OUT OF ANY COURSE OF DEALING, PERFORMANCE, OR TRADE USAGE. WE MAY DISCONTINUE ANY SERVICE OFFERING, OR MAY CHANGE THE NATURE, FEATURES, FUNCTIONS, SCOPE, OR OPERATION OF ANY SERVICE OFFERING, AT ANY TIME AND FROM TIME TO TIME. NEITHER WE NOR ANY OF OUR AFFILIATES OR LICENSORS WARRANT THAT THE SERVICE OFFERINGS WILL CONTINUE TO BE PROVIDED, WILL FUNCTION AS DESCRIBED, CONSISTENTLY OR IN ANY PARTICULAR MANNER, OR WILL BE UNINTERRUPTED, ACCURATE, ERROR FREE, OR FREE OF HARMFUL COMPONENTS. NEITHER WE NOR ANY OF OUR AFFILIATES OR LICENSORS WILL BE RESPONSIBLE FOR (A) ANY ERRORS, INACCURACIES, OR SERVICE INTERRUPTIONS, INCLUDING POWER OUTAGES OR SYSTEM FAILURES; OR (B) ANY UNAUTHORIZED ACCESS TO OR ALTERATION OF, OR DELETION, DESTRUCTION, DAMAGE, OR LOSS OF, YOUR SITE OR ANY DATA, IMAGES, TEXT, OR OTHER INFORMATION OR CONTENT. NO ADVICE OR INFORMATION OBTAINED BY YOU FROM US OR FROM ANY OTHER PERSON OR ENTITY OR THROUGH THE PROGRAM, CONTENT, OPERATIONAL DOCUMENTATION, THE AMAZON SITE, OR THE AFFILIATE-PROGRAM.AMAZON.COM SITE WILL CREATE ANY WARRANTY NOT EXPRESSLY STATED IN THIS OPERATING AGREEMENT. FURTHER, NEITHER WE NOR ANY OF OUR AFFILIATES OR LICENSORS WILL BE RESPONSIBLE FOR ANY COMPENSATION, REIMBURSEMENT, OR DAMAGES ARISING IN CONNECTION WITH (X) ANY LOSS OF PROSPECTIVE PROFITS OR REVENUE, ANTICIPATED SALES, GOODWILL, OR OTHER BENEFITS, (Y) ANY INVESTMENTS, EXPENDITURES, OR COMMITMENTS BY YOU IN CONNECTION WITH THIS OPERATING AGREEMENT OR YOUR PARTICIPATION IN THE PROGRAM, OR (Z) ANY TERMINATION OF THIS OPERATING AGREEMENT OR YOUR PARTICIPATION IN THE PROGRAM. 19. Disputes Any dispute relating in any way to the Program or this Operating Agreement in which the aggregate total claim for relief sought on behalf of one or more parties exceeds $7,500 will be adjudicated in any state or federal court in King County, Washington, and you hereby consent to exclusive jurisdiction and venue in those courts. The laws of the State of Washington, without regard to principles of conflicts of laws, will govern this Operating Agreement and any dispute of any sort that might arise between you and us. Notwithstanding anything to the contrary in this Operating Agreement, we may seek injunctive or other relief in any state, federal, or national court of competent jurisdiction for any actual or alleged infringement of our or any other person or entity’s intellectual property or proprietary rights. You further acknowledge and agree that our rights in the Content are of a special, unique, extraordinary character, giving them peculiar value, the loss of which cannot be readily estimated or adequately compensated for in monetary damages. 20. Miscellaneous You acknowledge and agree that we and our affiliates may at any time (directly or indirectly) solicit customer referrals on terms that may differ from those contained in this Operating Agreement or operate sites that are similar to or compete with your site. You may not assign this Operating Agreement, by operation of law or otherwise, without our express prior written approval. Subject to that restriction, this Operating Agreement will be binding on, inure to the benefit of, and be enforceable against the parties and their respective successors and assigns. Our failure to enforce your strict performance of any provision of this Operating Agreement will not constitute a waiver of our right to subsequently enforce this provision or any other provision of this Operating Agreement. In the event of any conflict between this Operating Agreement and the Operational Documentation, the Associates Program Excluded Products page will control over this Operating Agreement, which will control over the remainder of the Operational Documentation. If you are enrolled to use the Product Advertising API and in the event of any conflict between this Operating Agreement and the Amazon.com Product Advertising API License Agreement (“ License Agreement ”), this Operating Agreement will control except that the License Agreement will control with respect to your use of the Product Advertising API, Data Feed, and Product Advertising Content (each as defined in the License Agreement). Whenever used in this Operating Agreement, the terms “include(s),” “including,” “e.g.,” and “for example” mean, respectively, “include(s), without limitation,” “including, without limitation,” “e.g., without limitation,” and “for example, without limitation.” Any determinations or updates that may be made by us, any actions that may be taken by us, and any approvals that may be given by us under this Operating Agreement, may be made, taken, or given in our sole discretion.

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